I’m tired of modern life. It feels like being caught in a loop. I want to talk about the ever-present nature of content. Content is in effect, internet stuff. Online video, online writing, social media activity. It’s all branched under content. I might classify myself as a content creator. Of course, there’s a lot of content creators in our current era. Pewdiepie is a content creator. Some of my favourite YouTube personalities (influencers?) are content creators. I am a content creator. In that comparsion, I feel like a bit of phytoplankton as compared to the whale of an influencer that Pewdiepie is. Maybe even that is an ill-served metaphor. When whales shift, the ocean isn’t hugely affected. I am a content creator. Most of us are in the digital age. We have podcasts, or social media presence, or livestreams. I don’t think everyone gets into this game to be Pewdiepie. However, I think that we there is the hope that we can scratch out a middle class living this way. We are all content creators fighting over scraps.
2018 has been a hard year for me. I wasn’t initially going to write a retrospective for this year. I won’t get into all the details of why my year has been difficult but I’m sure everyone remembers the growing pains of leaving academia. There were bright spots. I might explain my feelings in a longer form piece when I feel I’m out of the woods. As usual, I enjoyed my fair share of media. I wrote a ton about media this year too. Usually I begin talking about my favourite song of 2018 but any songs I was drawn to this year were not released in 2018.
However, the sections of YouTube that I frequent had something of a renaissance this year. Picking the ‘best’ video was especially hard. Every channel below released some of their best work in 2018 and elevated the medium in their own way. So I’m going to explore a collection of what you might call honourable mentions but is more like a list of equal first place.
I realise I’m behind the times on this particular story. Surely all the hot takes have been said. So, if you’re not aware, I’ll update you quickly. Earlier this month, Blizzard who is known for games like World of Warcraft and Overwatch had their annual event known as BlizzCon. BlizzCon usually begins with an opening ceremony where new developments at the company are announced. At this year’s BlizzCon they had a couple things of note such as a new Overwatch hero and a remaster of Warcraft 3. However, they decided to end this press conference with an announcement of mobile game Diablo Immortal. There was a prompt backlash and I want to talk about it.
Depending on your familiarity with the Mario series cast of characters, you may be familiar with the character of Waluigi. Waluigi is essentially a dark mirror version of Luigi, like Wario is to Mario. It would be incorrect to call either of these characters villains as aside from Wario’s first appearance, they’re not antagonists to the Mario brothers. In fact, while Wario has appeared in the main series, Waluigi has never featured in any mainline games. So, why am I talking about Waluigi today? So there’s a new Super Smash Bros. game that boasts that everyone is here. Now there has been a group of fans who think that someone has been missed in this roster of ‘everyone’. There has been vocal support for Waluigi to appear in Smash including a group of cosplayers at last weekend’s PAX AUS. So, considering the love for Waluigi, I wanted to consider why this character is the cult classic of the Nintendo world.
So, this last week I returned to a game I first played in 2015. Prison Architect is a management simulation game where you run all aspects of a prison. The game might be comparable to games like SimCity or Cities Skylines on a much smaller and more violent scale. The game represents figures in the world in a style akin to stick figures. Initially, when I played Prison Architect I was very particular about caring for individual prisoners. I think I even had a good sense of prisoner names and the troublemakers. Now I treat them a bit like cattle in an abattoir. So that’s what I wanted to talk about. When is a human not a human in games?
So, I’ve just started watching Netflix’s adaptation of A Series of Unfortunate Events because I’m always six months behind the conversation. Earlier this year, the second season dropped and I’ve been enjoying it more than the first. Now, I did read the series when I was younger. My memory of the books is hazy but from my memories, the show is rather faithful. The area in which it probably differs the most is in expanding the role of the adults in the series. Now, as I made my way through the series I had a thought. A Series of Unfortunate Events reflects the Trump era in an interesting way. Now for me to explain why I am going to spoil both series to a point. The discussion of the series will probably spoil The Vile Village and all preceding episodes. With that out of the way, let’s begin.
So recently the social media account for CD Projekt Red, of Witcher and Cyberpunk 2077 fame, made an off-colour ‘joke’ relying on the played-out line “Did you just assume my gender?”. Their apology was that classic non-apology ‘Sorry if you were offended’. Now, I read the replies to that tweet and boy howdy, I hate gamers. In the same way that a high school bully defends themselves when consequences come knocking, most of the replies boiled down to ‘it’s just a joke,’. Is it though? I’m going to explain why these sorts of ‘jokes’ are tired.